"Charley＇s Aunt," refused at every theatre, andfinally staged at the expense of a stockbroker, has had two hundred representations in France, and more than a thousand in London. Without the explanation given above of the impossibility for theatrical managers to mentally substitute themselves for a crowd, such mistakes in judgment on the part of competent individuals, who are most interested not to commit such grave blunders, would be inexplicable. This is a subject that I cannot deal with here, but it might worthily tempt the pen of a writer acquainted with theatrical matters, and at the same time a subtle psychologist—of such a writer, for instance, as M. Francisque Sarcey.